Dayton native, Curtis Mann, returns home to present an experimental new body of work inspired by reflections on his childhood attending Parochial schools, his mother’s Catholic funeral services this past May, and the challenges he faced hiding and then embracing his atheism. Using a mixture of personal family photographs, found, and AI-generated images, Mann has cut and affixed them to shards of glass to create sculptural collages. The work presents us with questions about what a photograph is, about the precarious space between the image and the object, and about the larger ideas of absolute faith, its teachings, and leaders. The work also serves as a love letter to his mother and his own feelings of mortality. Curated by Jeffrey Cortland Jones.

Mann is a graduate of the University of Dayton, where he worked under the mentorship of Sean Wilkinson, whose work is on view in the companion exhibition, Flora, also on view. His work has been exhibited widely, most notably at the Metropolitan Museum of Art, New York; the Centre Georges Pompidou, Paris, France; the Whitney Museum of American Art, New York; and the Museum of Contemporary Art, Chicago.